On first viewing, Jody Paulsen’s textile collages displayed against the bright yellow walls of the SMAC Gallery in Cape Town appear to be a joyful celebration of life. 795 more wordsAn Artist’s Reframing of the Past — reclamation magazine
Featured Illustration: Lena Shevchuk “When you are sorrowful, look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.” 776 more wordsSymmetry in a World Out of Kilter — reclamation magazine
Featured Illustration: Ann Chen A year ago, soon after I returned from an emotionally exhausting Civil Rights trip to the USA, I had the opportunity to take stock at a women’s retreat that I attended. 1,352 more wordsA Year of Gratitude — reclamation magazine
Many years ago, my grandmother took her two children off to a photographic studio to have their portraits taken. In the fragile photograph that is now more than 80 years old, my father poses on an oversized chair, slightly leaning into his older sister who is standing next to him. 883 more wordsA Portrait of Respectability — reclamation magazine
As I scrolled through posts on social media about the death of Supreme Court Justice Ruth Bader Ginsburg (RBG), I noticed that she wore her iconic white beaded collar in the majority of the images. 803 more wordsReflections on Heritage Day in South Africa — reclamation magazine
By: Prof Siona O’Connell, Critical African Studies Project, UP
Dr Nadia Kamies, Post-Doc Dept Historical & Heritage Studies, UP
The forced removal of over 12 million Africans to the Americas was one part of the trade in human bodies. Another aspect, is the people who were shipped to the Cape in the Indian Ocean slave trade. From its inception, the Cape was a slave society, violently established on the backs of men and women who were stripped of their names, cultures and religions, and forced to work in the kitchens and vineyards of their enslavers. In 1652, as colonial administrator of the Verenigde Oost-Indische Compagnie (VOC), Jan Van Riebeeck dropped anchor at the Cape to establish a refreshment station with 100 men and eight women. A year later, the first known slave, Abraham van Batavia, a stowaway on board the Malacca, arrived.
The Dutch were active participants in both the Atlantic and Indian Ocean slave trades. For brief spells during the 17th century they dominated the Atlantic slave trade and were at the centre of the most expansive slave trade in the history of Southeast Asia. The VOC, formed in 1602, was a sovereign body which acted independently of the Dutch government although its headquarters were in the Netherlands. They were granted a monopoly over trade in the East Indies, where they enslaved over half of the population of Batavia (now Jakarta) and protected their monopoly with brute force, while painting slavery as a “work of compassion”. Racial slavery was an economic, legal, political and cultural exercise based on the refusal to see ‘blacks’ as human and amply justified by the Bible.
In late August of 1791, the uprising in Santo Domingo (now Haiti and the Dominican Republic) played a crucial role in the abolition of slavery, the slave trade and the weakening of colonialism. The British declared the slave trade illegal in 1807 and abolished the practice in all their colonies in 1834. Slaves at the Cape, however, were forced to serve an “apprenticeship” until 1838. On their emancipation they had nowhere to go and had few possessions, if any. This created a dependency that served to tie many of the previously enslaved to their masters and the refuge the mission stations offered is thought to have ensured a close and steady supply of compliable workers to the surrounding farms. The Masters and Servants Ordinance of 1841 outlined how to accommodate ex-slaves and former “free blacks”, allowing employers to use certain disciplinary measures to control their behaviour. In fact, many of the Apartheid laws introduced in 1948 such as the pass laws and Group Areas Act reflected the restrictions used to control the movement of the enslaved.
Slavery was a central element of the Dutch colonial conquest and part of the emergence of Afrikaner political and social ideas. There can be no question that slavery fundamentally shaped South Africa from its earliest days and continued to do so along the continuum of colonialism and apartheid. As author and academic, Gabeba Baderoon (2014) observes “slavery generated foundational notions of race and sex in South Africa” that have largely been forgotten thanks to the propaganda that portrayed slavery as mild. The legacy of slavery continues to influence our perspectives today and is present in the prevailing attitudes towards labour provided by those who are ‘black’, evidenced in the mining, wine and domestic labour industries.
It is even present in the very names given to the enslaved. Whether from the mythological or the Biblical or after the places from which slaves came or after months of the year, these names echo the hope and tenacity of those trying to reimagine a future without chains. The months of December, January and February, for instance, hint at imagined possibilities, evident in recipes, ways of courtship, and the music we sing and dance to as we bask in the sun. In March, April and May, we see the quiet fortitude of autumn, apparent in the clothing workers of the Cape Flats who support up to nine people on their wages. In the blistery cold of June, July and August, we see what it means to achieve against immeasurable odds, of men and women raising their children and urging them to succeed; and in the quiet bloom of September, October and November, we see the promise of youth, who know where they come from, and what they and their forbearers are capable of achieving.
Note: 23 August commemorates the UN International Day of the Remembrance of the Slave Trade and its Abolition.
Featured image: A memorial wall with the names of the enslaved who lived and worked at the Solms-Delta Wine Estate in Franschoek. The naming shows how slaves were stripped of their identity and given names that indicated where they were born, as in “Van de Kaap” or “Van Mosambique”.
This piece was published in the Cape Times, Pretoria News and The Mercury 25 August 2020 and is also online here.
Featured Illustration: Brian Stauffer Within a few days of Nelson Mandela’s birthday this year (18 July), Andrew Mlangeni, the last surviving member of the Rivonia trial (the trial that led to the imprisonment of Mandela and his eight co-accused in 1963-64), died here in South Africa (21 July). 758 more wordsBuilding a Post-COVID Community — reclamation magazine
Joy has been popping up in my feeds a lot lately. One of the more recent posts was an image of a jazz musician, Jon Batiste, playing freedom songs and hymns on a joyfully decorated upright piano at a protest march in New York. 972 more wordsThe Joy of Being Human — reclamation magazine
Featured Artwork: Feroze Alam In the same week that George Floyd was so callously killed by a police officer in Minneapolis, I attended a webinar celebrating Africa Month and what it meant to be African. 635 more wordsThe Breath That Connects Us — reclamation magazine
When I turned 50, I decided that it was time to equip myself with the tools necessary to write the stories of where we come from. I was convinced that providing a platform to share and acknowledge our painful past was fundamental to reconciliation in our country. Certainly, after 25 years of democracy we seemed to be no nearer to recognising each other as simply human. Being the mother of two young adults bestowed on me a sense of urgency. However, gaining a Masters in Creative Writing (from the same university that in the 1980s required me to apply for a government permit to attend because of the colour of my skin), opened up the path to a deeply personal journey, one that would lead to a PhD in History and Heritage Studies.
Early on in this journey it became clear that I needed to retrace our history way back to the arrival of the Dutch at the Cape, an event that occurred within the global context of slavery and colonialism in which they were major players. The impact of slavery and colonisation on South African society has receded far behind the more dominant history of apartheid and yet, the racial hierarchy that accompanied it not only laid the foundation for apartheid, but shaped attitudes to race and sex that continue to inform the present.
The benign version of slavery presented to us at school was reinforced by charming paintings of colonial Cape Town, the colourful houses of the Bo-Kaap and images of benevolent masters who wanted only to ‘civilise’ and take care of the black bodies under their care. This narrative concealed the brutality and dehumanisation of the people who were brought here as a source of labour, a commodity, to be sold and traded. After emancipation, other ways to maintain control over workers were introduced, such as the notorious dop system that has left its legacy of foetal alcohol syndrome and high infant mortality rates in the Western Cape.
Racial slavery was about the degradation of the human being and simply being emancipated was not enough to know what it meant to be free, how to recreate ourselves and become independent. Apartheid tried to force us into being the same – we lived in the same areas, went to the same schools, married the same people. We carried our sameness around like a security blanket and retreated within it, afraid of the other; we developed our own stereotypes based on our ignorance of what was beyond those walls. More than simply the dismantling of apartheid legislation needs to be done in order that we may construct ways of life in which we acknowledge our human-ness rather than other-ness.
But, to remember slavery is also to remember the vibrant and diverse cultures, new language, food, music and beliefs that arose, and to honour the spirit of survival and resistance that was engendered. Somehow people managed to find ways to survive and hold onto that which made them human. These practices of freedom – music, art and storytelling – defy and resist the memories of slavery and apartheid and attest to a will to survive. Even the humble family photograph, in spite of it often showing little skill, and found stuffed into boxes or envelopes, has the power to destabilise the dominant narrative that would have us believe that we were less-than. They speak to the resistance of the human to being objectified and it is at this ordinary archive that we need to look if we want to understand what it means to be human.
By connecting the lines between all of our stories, whether they are auditory, visual or written, we may recognise our common humanity; we break down the walls that were constructed around us, to separate us from the other. When we reach out to each other we move beyond the process of othering, and towards freedom and equality so that we may think about how we may live. Only then may we learn how to be human.
Images from my family album.
Read a review of the exhibition here.