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History and Heritage

Food as Archive – my grandmother’s koesisters

When I launched the second edition of my book, Off-Centre and Out of Focus, in London recently, I wanted to recreate the warmth of the first book launch, held in the District Six Homecoming Centre, to welcome guests. I had brought a couple of the doilies my grandmother had crocheted, along with framed photos of my parents and grandparents to set the scene, but more was needed. And on a wet, grey wintry day in London, koesisters seemed to me the most obvious Cape Town food to have. I had already tracked down samosas and dhaltjies that were as close to home as they could be, via a Bengali women’s empowerment organization, Oitij-jo. Koesisters, the spicy fried doughnuts, sugared and sprinkled with coconut, were not to be found in London which otherwise boasts a range of South African foods and treats. So, it was up to me. I had never made them from scratch before but entered into the spirit of having my ancestors with me completely.

I remember my paternal grandmother making koesisters. When we were little, we would save the peels from the naartjies we ate and my father dried them in the sun so that my grandmother could grind them up to add to her koesister mixture. As a young boy, my father and his brothers were sent to sell them door-to-door on Sunday mornings as a traditional accompaniment to coffee.

The koesister is characteristic of food that was creolised at the Cape. The majority of enslaved people who were brought here by the Dutch from Southeast Asia, worked in homes and those with cooking skills fetched higher prices. The settlement at the Cape brought together diverse peoples and influences and the enslaved people creolised these influences in food, music and language, leading to a unique culture that is still strongly present in contemporary Cape Town, and I believe offers the foundation for a post-apartheid South African identity.

On a walking tour of the Bo-Kaap in December, the area where freed enslaved people were allowed to settle, archival researcher Daiyaan Petersen related a story about the koesister. In the kitchens of their Dutch masters, enslaved people would make the plaited syrupy fried doughnuts called koeksisters as instructed and with the leftover dough they would make their own version of the doughnut, known as koesisters in the Cape. Spices from southeast Asia, like star aniseed, ginger, cinnamon, and cardamom, were added to the dough, and it was formed into flattened oblong shapes. These would be fried, boiled in sugar syrup and then sprinkled with coconut before serving.

The heritage of colonialism, slavery and apartheid is firmly embedded in this food-as-archive, at the same time it is a celebration of my grandmother and all those grandmothers who made them as a means of earning a living, using what was available to them under an oppressive government.

I spent two days making koesisters – shopping for the ingredients, making a test batch and then a batch for the launch. The dough was left to rise for two hours, and again for half an hour after it had been shaped. As my son and daughter captured the process on film, I shared anecdotes with them, every step imbued with memories of my family. As we did the taste test (for the umpteenth time!) I was confident that my father and grandmother would have been so pleased to know that this everyday treat was being warmly shared in London.

The video can be viewed on Instagram

 

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Book

A warm international welcome for Off-Centre and Out of Focus

The last two weeks in London have been such an affirmation of the universality of our stories and of issues around identity, belonging and displacement. “Why launch in the UK?” is a question that I have been asked more than once.

One motivation was that, after speaking at Xavier University of New Orleans, and in Edinburgh and London a year ago, I wanted the book to be more easily available internationally. The other was the constant reminders of the rise of racism, hatred and bigotry, and how my experience of growing up in South Africa resonates with anyone who has grown up with institutional and entrenched discrimination. These themes are not limited to a single country.

The London book launch attracted friends, friends of friends, and adopted family, to the green community space that is The Onion Garden. I have watched Jens Jakobsen over the last four years, change a patch of concrete into this little sanctuary in the centre of a busy metropolis and it felt like the right place to launch my little book into the world.

I brought my ancestors along in the form of my grandmother’s doilies, photographs of my parents and grandparents, and the food. Having searched for “Cape Town-style” samoosas and dhaltjies in vain, I serendipitously came across the Oitij-jo Collective a women’s collective that focuses on Bengali culture and arts… and there were the local treats I had grown up with.

Finding koesisters the way my grandmother made them, proved to be a bigger challenge. My grandmother made the fried doughnuts dipped in sugar syrup and rolled in coconut every week. When my father was young, he and his brothers would sell them door-to-door on Sunday mornings. So I rolled up my sleeves, donned the apron and made them myself!  I think my grandmother would have been pleased.

I have enjoyed conversations with Letitia George for BBC Radio Leicester, with Debbie Golt for Outerglobe on Resonance FM, and with Hannah Murray for Talk Radio Europe.

There have been a couple of written pieces, including How to Write a Memoir for Irish online writing magazine, Writing.ie., and an interview with USA-based  Authority Magazine.

Thank you for the warm welcome!

Featured image: With Debbie Golt of Outerglobe

 

 

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fieldguides for a preternaturalist History and Heritage lost narratives storytelling writing

Food as Archive: Kerrievis/Pickled Fish

by Wendy Morris and Nadia Kamies

In Taati Niilenge’s Walvis Bay: Our Story (2024) Nangula Shikujele remembers the 1960s in Kuisebmond when fish were plentiful and fishers returning from sea would bring fish for the entire community. The neighbourhood would smell of fish, Shikujele remembered. She told Niilenge that descendants of the Old Location and early Kuisebmond (to which people were forcibly displaced in the 1950s) were known for their fish cleaning and cooking skills and for the preparation of a favourite dish, ‘Kerrievis’, that they learned from their mothers.

John Miller arrived in 1964 from Cape Town as a young fisherman and lived in Narraville’s ‘Hou jou bek’ vicinity. He remembers that most fisher families came from Cape Town. Prior to the forced displacements of residents from Old Location to either Kuisebmond or Narraville, depending on apartheid racial classification, people from all parts of the country, and from the Cape, lived together and shared culinary traditions.

Kerrievis, or Pickled Fish as it is also known, is a dish that entangles histories of forced migrations and travelling women. Pickling with brine can be traced to Dutch traditions of preserving food and was brought to the Cape of Good Hope in the 17th century by that company of Companies, the Vereenigde Oostindische Compagnie or VOC, the company that traded people and political instability, spices and social death, extractions and executions.

The spices that make the kerrievis dish – turmeric, coriander, bay leaves, cumin, cinnamon, all spice and cloves – come from south-east Asia, and especially Indonesia, and their acquisition was at the very heart of the VOC enterprise. The women who knew and used these spices, and developed the dish as a pickled and curried fusion in the kitchens of the Cape colony in the 17th and 18th centuries, were enslaved women who had been trafficked across the Indian ocean by the VOC. It was generations of these women and their descendants who made this dish their own.

In a previous article on this website, An Archive of Food, (2020) I relate how both my Cape Town grandmothers (one Christian, one Muslim) prepared this dish. The process would start the week before Good Friday since there would be no fishing boats going out over the Easter weekend. Yellowtail, kabeljou or hake would have to be bought in advance, either from the market in Hanover Street, from the fish vendor who would sell his wares from the back of his bakkie (blowing his horn to alert the neighbourhood), or straight off the fishing boats at the harbour.

Enough fish was pickled to last all weekend. Making the dish in advance meant that the fish was able to absorb all the spices and the taste improved as the weekend progressed! This freed up time for my maternal grandmother to go to the long church services held over Easter weekend, since she didn’t have to cook. Abstaining from eating meat on Good Friday was also in keeping with many Christian traditions. Muslim families would take advantage of the time to go on picnics, usually to visit kramats, with an ample supply of pickled fish and bread as padkos. There were no restaurants to stop at along the way since they would all have been designated “for whites only”. Well-preserved with vinegar and spices and eaten cold, pickled fish was the perfect road food. Coming across this tradition in Walvis Bay, Namibia, speaks to the interconnectedness of its history with Cape Town. Walvis Bay became part of the British Cape Colony in 1878 and would be under South African control until 1994. Ruth Smith whose family came to Walvis Bay when she was a child (Walvis Bay: Our Story), also recalls that most fishermen came from South Africa. They would go out on small wooden boats or worked as supervisors in the fishing factories.

This dish that has its roots in the Cape, speaks not only to the porousness of borders but also to shared histories of migration, colonialism, apartheid and forced practices. It is no coincidence that as I join Wendy on her journey of return, we should find commonality through a shared practice such as this. As we shopped for ingredients in Lüderitz, stitched aprons with fabric bought from a shop in Walvis Bay, and filmed ourselves, now in the village of Aus, preparing the spicy onion-rich pickling sauce from traditional recipes, we bore witness to another practice of freedom that reinforces the humanity of the oppressed in defiance of the attempts to erase their history.

Aus, Namibia