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Why launch in the UK?

The last two weeks in London have been such an affirmation of the universality of our stories and of issues around identity, belonging and displacement. “Why launch in the UK?” is a question that I have been asked more than once.

One motivation was that, after speaking at Xavier University of New Orleans, and in Edinburgh and London a year ago, I wanted the book to be more easily available internationally. The other was the constant reminders of the rise of racism, hatred and bigotry, and how my experience of growing up in South Africa resonates with anyone who has grown up with institutional and entrenched discrimination. These themes are not limited to a single country.

The London book launch attracted friends, friends of friends, and adopted family, to the green community space that is The Onion Garden. I have watched Jens Jakobsen over the last four years, change a patch of concrete into this little sanctuary in the centre of a busy metropolis and it felt like the right place to launch my little book into the world.

I brought my ancestors along in the form of my grandmother’s doilies, photographs of my parents and grandparents, and the food. Having searched for “Cape Town-style” samoosas and dhaltjies in vain, I serendipitously came across the Oitij-jo Collective a women’s collective that focuses on Bengali culture and arts… and there were the local treats I had grown up with.

Finding koesisters the way my grandmother made them, proved to be a bigger challenge. My grandmother made the fried doughnuts dipped in sugar syrup and rolled in coconut every week. When my father was young, he and his brothers would sell them door-to-door on Sunday mornings. So I rolled up my sleeves, donned the apron and made them myself!  I think my grandmother would have been pleased.

I have enjoyed conversations with Letitia George on BBC Radio Leicester, Debbie Golt for Outerglobe on Resonance FM. There have been a couple of written pieces, including How to Write a Memoir for online writing magazine, Writing.ie.

Thank you for the warm welcome, London!

Featured image: With Debbie Golt

 

 

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Food as Archive: Kerrievis/Pickled Fish

by Wendy Morris and Nadia Kamies

In Taati Niilenge’s Walvis Bay: Our Story (2024) Nangula Shikujele remembers the 1960s in Kuisebmond when fish were plentiful and fishers returning from sea would bring fish for the entire community. The neighbourhood would smell of fish, Shikujele remembered. She told Niilenge that descendants of the Old Location and early Kuisebmond (to which people were forcibly displaced in the 1950s) were known for their fish cleaning and cooking skills and for the preparation of a favourite dish, ‘Kerrievis’, that they learned from their mothers.

John Miller arrived in 1964 from Cape Town as a young fisherman and lived in Narraville’s ‘Hou jou bek’ vicinity. He remembers that most fisher families came from Cape Town. Prior to the forced displacements of residents from Old Location to either Kuisebmond or Narraville, depending on apartheid racial classification, people from all parts of the country, and from the Cape, lived together and shared culinary traditions.

Kerrievis, or Pickled Fish as it is also known, is a dish that entangles histories of forced migrations and travelling women. Pickling with brine can be traced to Dutch traditions of preserving food and was brought to the Cape of Good Hope in the 17th century by that company of Companies, the Vereenigde Oostindische Compagnie or VOC, the company that traded people and political instability, spices and social death, extractions and executions.

The spices that make the kerrievis dish – turmeric, coriander, bay leaves, cumin, cinnamon, all spice and cloves – come from south-east Asia, and especially Indonesia, and their acquisition was at the very heart of the VOC enterprise. The women who knew and used these spices, and developed the dish as a pickled and curried fusion in the kitchens of the Cape colony in the 17th and 18th centuries, were enslaved women who had been trafficked across the Indian ocean by the VOC. It was generations of these women and their descendants who made this dish their own.

In a previous article on this website, An Archive of Food, (2020) I relate how both my Cape Town grandmothers (one Christian, one Muslim) prepared this dish. The process would start the week before Good Friday since there would be no fishing boats going out over the Easter weekend. Yellowtail, kabeljou or hake would have to be bought in advance, either from the market in Hanover Street, from the fish vendor who would sell his wares from the back of his bakkie (blowing his horn to alert the neighbourhood), or straight off the fishing boats at the harbour.

Enough fish was pickled to last all weekend. Making the dish in advance meant that the fish was able to absorb all the spices and the taste improved as the weekend progressed! This freed up time for my maternal grandmother to go to the long church services held over Easter weekend, since she didn’t have to cook. Abstaining from eating meat on Good Friday was also in keeping with many Christian traditions. Muslim families would take advantage of the time to go on picnics, usually to visit kramats, with an ample supply of pickled fish and bread as padkos. There were no restaurants to stop at along the way since they would all have been designated “for whites only”. Well-preserved with vinegar and spices and eaten cold, pickled fish was the perfect road food. Coming across this tradition in Walvis Bay, Namibia, speaks to the interconnectedness of its history with Cape Town. Walvis Bay became part of the British Cape Colony in 1878 and would be under South African control until 1994. Ruth Smith whose family came to Walvis Bay when she was a child (Walvis Bay: Our Story), also recalls that most fishermen came from South Africa. They would go out on small wooden boats or worked as supervisors in the fishing factories.

This dish that has its roots in the Cape, speaks not only to the porousness of borders but also to shared histories of migration, colonialism, apartheid and forced practices. It is no coincidence that as I join Wendy on her journey of return, we should find commonality through a shared practice such as this. As we shopped for ingredients in Lüderitz, stitched aprons with fabric bought from a shop in Walvis Bay, and filmed ourselves, now in the village of Aus, preparing the spicy onion-rich pickling sauce from traditional recipes, we bore witness to another practice of freedom that reinforces the humanity of the oppressed in defiance of the attempts to erase their history.

Aus, Namibia